Friday, 30 December 2011

Great (woman) photographers: Vivian Maier - a riddle, wrapped in a mystery, inside an enigma - what a moving story!

I guess many like me fell instantly in love with the work and story of Vivian Maier - it moved me to tears.  What a story!  

When more is known it would make a great movie - but keep Hollywood away!  I'd settle for the Cohen brothers with Roger Deakins as the cinematographer

Her official website is http://www.vivianmaier.com/

We have to thank John Maloof for creating the bridge between this extraordinary woman and ourselves.  He discovered the lost negatives & edited the book - and someone had the perspicacity to ask the brilliant Geoff Dyer to write the intro.

The blurb for the book reads;

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A good street photographer must possess many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers.

Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City, to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age.

It wasn’t until realtor and amateur historian John Maloof stumbled upon a box of anonymous negatives in a Chicago auction house in 2007 that any of her marvelous work saw the light of day. Presented here for the first time in print,Vivian Maier: Street Photographer collects the first wave of the best of her incredible body of work—much of which still hasn’t been enlarged or in some case even developed into negatives. Hidden treasures like this don’t come along every day, and powerHouse is excited and honored to present this astounding body of never-before-seen work to the public at large.

There is still very little known about the life of Vivian Maier. What is known is that she was born in New York in 1926 and worked as a nanny for a family on Chicago’s North Shore during the 50s and 60s. Seemingly without a family of her own, the children she cared for eventually acted as caregivers for Maier herself in the autumn of her life. She took hundreds of thousands of photographs in her lifetime, but never shared them with anyone. Maier lost possession of her art when her storage locker was sold off for non-payment. She passed away in 2009 at the age of 83.

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NB Her book is available via Amazon 


DON"T MISS THIS  - A riddle, wrapped in a mystery, inside an enigma.


My intro was via HERE

For more just Google.

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Wednesday, 21 December 2011

Times Higher Education - 'I sit in a UK library and feel so sorry for my friends in Iran'

'I sit in a UK library and feel so sorry for my friends in Iran'
Credit: Reuters
Not welcome: Baha'i students say that their preparation for university entrance exams is done in the knowledge that their applications to Iranian state universities will likely be turned down because of their faith


Once, during Ramadan in the mid-1990s, Erfan Sabeti was on his way to an all-day genetics class at the Baha'i Institute for Higher Education in Tehran.

He had taken to wearing a tie to show he was not a hard-liner, though the Ayatollah Khomeini had just issued a fatwa saying that ties were a symbol of westernisation. As he was about to get into a taxi, he was stopped by revolutionary guards.

Click on link to read the article.

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Monday, 19 December 2011

Interview with Ken Rockwel - on his brilliantly down-to-earth photography website

Interview is here;

Website is here;

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Tuesday, 13 December 2011

An elegiac video presentation of ROBERT FRANK photographs

Reason for Being

“Everything is a subject. Every subject has a rhythm. To feel it is the raison detre. The photograph is a fixed moment of such a raison detre, which lives on in itself.”                               André Kertész (Hungarian born photographer/ known for his groundbreaking contributions to photographic composition and the photo essay)

 Wandering Violinist, Abony, Hungary   1921

Click on ink to go to the Whether or Not blog

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